Musical Glossay

There is another world unknown to the Farthest Castle of the year 2014 All Japan Band Music Competition. It is not just a revised version or a rearrangement. You will witness the parallel world! →Full Score, Parts & some benefits

major, durtonart, maggiore

A tone that is established using constituent notes of the major scale. For the establishment of the major, a main chord and a genus chord are necessary. Another chord is necessary to further limit to one key. Normally you will use subordinate chords, but if you have other functions similar to subdominant you can also determine the key. Even if the pitch range changes, these conditions will be major if this condition holds. If the naming method is different from each country but different in each country, if it is major in the name of the Japanese name of the main sound, if it is major, if it is in the minor, it is marked as minor. In the case of English, if it is major in English name of main note, if major key, minor in minor. In the case of German, if German note name of main note is major, if upper case letter name is dur, minor letter lower letter name is moll. In Japan, these three kinds of expression are used.

Part of the music format that presents themes in sonata format etc. The theme is not necessarily a massive melody but may be as simple as a simple "material" consisting of several sounds. Evaluation of the whole song will change according to how the music presented here will be terminated anyway. In the sonata form, the first theme is major in the case of major songs, the first theme is dominant in the case of the second theme in case of minor, and the second theme is in parallel tone in many cases. Also, in the reproduction part, the second theme is played in a dominant manner.

In case of more than three notes chords, transfer bus sounds to other ranges and make the buses different.

In the case of melody To invert the pitch relationship of the pitch.

音楽の本
	独・仏・伊・英による音楽用語辞典 【改訂版】
	これで納得!よくわかる音楽用語のはなし―イタリアの日常会話から学ぶ – 関 孝弘 (著)
	持ち歩き　音楽記号事典 – 多田 鏡子 (著), 川島 素晴 (監修)
	音楽の科学---音楽の何に魅せられるのか？ – フィリップ ボール (著), 夏目 大 (翻訳)