Musical Glossay

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espressivo

Cursive instruction word. Expression rich. It is thought that it is better to give a change in strength, tone, and tempo to give expression to music. However, instead of changing to disorderly, it is necessary to sense the characteristics of the melody from the musical elements, such as melody, the sound range, length and pitch difference of each sound, and make a change according to the intention and should never contradict Not. It depends on the sense of the player as to how much to change, but it should also be decided according to music, time and place, without thinking.

[Clear, prominent] adjective in Italian.

Often abbreviated as marc.

In many cases, it is interpreted as a Marquardt for notes for which other articulation symbols are not written because there is no symbol.

In fact there are many cases where notes with nothing written are marked as Marcato. In some cases it is sometimes interpreted as Tenut, but how to play depends on the sense of the player.

Specifically, it is common to play as shown in the following figure.

The horizontal axis of blue figure is time and the vertical axis is volume.

Basically the length of the sound is the same as Tenut, but the volume decays. When the length becomes shorter, the difference with Staccato disappears, and if the volume does not change, the difference with Tenut loses.

In keyboard instruments, we must devise expressive methods.

音楽の本
	独・仏・伊・英による音楽用語辞典 【改訂版】
	これで納得!よくわかる音楽用語のはなし―イタリアの日常会話から学ぶ – 関 孝弘 (著)
	持ち歩き　音楽記号事典 – 多田 鏡子 (著), 川島 素晴 (監修)
	音楽の科学---音楽の何に魅せられるのか？ – フィリップ ボール (著), 夏目 大 (翻訳)